Ballet Nights review – smorgasbord of styles and stars in one thrilling sitting

Two of the more anticipated London debuts disappoint. Bolshoi-trained American Joy Womack doesn’t get the chance to show all that she can do in a gentle solo of walks and waltzes by Constant Vigier. Similarly, a pas de deux from Nashville Ballet, a late addition to the bill, is simple, pleasant, smiling, but not enough to cut through or really show us who this company is. Still, you have to applaud the initiative of getting them here.