23.5 Hours review – Lisa Dwan drives striking story of a shattered marriage

At its best, Crim’s dialogue is natural, effervescent and brilliant. But as the play progresses, it begins to flow like a series of moral questions rather than an advancing narrative. The crime itself becomes secondary to its fallout, with the characters thrown into a frenzy of uncertainty. In the leading role of Leigh, Lisa Dwan looks increasingly more broken by each interaction with her husband. We watch as she tries to squeeze herself back into her once adoring marriage. But her instinctive physical discomfort gives away the feelings she wants to be able to forget. As Tom, David Sturzaker’s gentle, unthreatening tone grows to become more sinister.