The Anguish of Looking at a Monet

2024-09-16  4062  晦涩

In the nearly hundred years since his death, Monet has become . . . but do I really need to tell you? No canvas has been left un-kitchen-magnetized, no sector of pop culture remains unconquered. The first art review I can remember was about one of his lily ponds; the critic was Leonardo DiCaprio’s character in “Titanic.” (“Look at his use of color here,” he coos, wiggling his fingers over the canvas with dreamboat sensitivity.) At present, there are no fewer than fifteen cities hosting or vying to host “Claude Monet: The Immersive Experience,” in which you put on a headset and step into the artist’s shoes. The show’s Web site includes a picture of two women taking the V.R. tour “together,” i.e., inches apart but lost in their own screen-worlds. One faces away from us; the other covers her mouth.

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