Springsteen has made many protest songs: the inequality elegy of “The Ghost of Tom Joad,” the post-9/11 rallying cry of “The Rising,” the Vietnam-veteran anthem “Born in the U.S.A.” As a reaction to law-enforcement overreach, “Minneapolis” especially recalls Springsteen’s 2000 song “American Skin (41 Shots),” about the police killing of Amadou Diallo, an unarmed Black man. And across his catalog, Springsteen’s concrete lyricism and drawling vocals channel folk music’s titans of protest, Bob Dylan and Woody Guthrie. Here, those influences are worn proudly, ringing out in a buoyant harmonica solo.