After ensuring the office won’t burn down, Velasco moves to a colleague’s computer, where he boots up the latest version of Mina the Hollower and shows me why they felt they had to delay it. It’s a gorgeous game, with graphics harking back to the Game Boy’s chunky pixelated art and a top-down perspective reminiscent of the Nintendo Co. classic The Legend of Zelda: Link’s Awakening. Only in the past few weeks has the game coalesced to the point where the developers could play through all the content from start to finish, and they’ve found lots of elements they want to improve. This delay, Velasco says, is a good one. They’re done identifying problems; they just need time to fix them.