I come to “to be” in a slightly different way each night so hopefully the audience haven’t seen it done that way before. I was a street performer for years, so I know how to talk to an audience, which is what they were doing in Shakespeare’s time; they were performing to the people, not at them. Actors got into this fourth-wall thing in the 1800s, it wasn’t there in Elizabethan times. Actors go, “Oh, da da da da” and they look up to the skies – whereas I will talk to the audience and bring them in. They are part of my brain, they are part of Hamlet’s brain.