But, though they each have their own signposts, the three worlds are not so removed from one another. Trauma and escapism necessarily interweave, as do their corresponding artistic elements—when someone jumps off a bridge in Europe, for example, their figure shapeshifts into a projected sketch. In 2025, a story that asks what it means to create amid tyrannical politics feels especially relevant. “We look for a force of good when we’re looking at authoritarianism,” Bates said. “Unfortunately, that hasn’t really changed since the nineteen-forties.” Another thing that hasn’t changed is the ability of art to offer an avenue for humanity, a means for trauma to give way to something with a kernel of beauty and hope. As Chabon wrote, escape from reality is a worthy challenge.—Jane BuaAbout TownArt