This fall, Parker, who is thirty-nine, will release “Deadbeat,” the fifth Tame Impala album. It oscillates between woozy, dance-inflected rock songs (the addictive, loping “Loser”) and expansive, thudding, quasi-techno numbers (the epic, twitchy “End of Summer”). “I really love finding the line between two things and walking it,” Parker told me. “I want it to sound like something that doesn’t exist.”journey-inline-newsletterinline-newsletter