The exhibition proceeds more typically from there, with a series of evocative pieces on the darkened ground floor, including the titular installation, from 1990: seven oversized wooden balls that seem to be gathered in conversation before a metal screen. Upstairs, in a limited exhibit (closing Jan. 24), the tone changes again, as more modest sculptures and works on paper are scattered across the light-filled fifth floor. The display, although understated, highlights the rhythms of Bourgeois’s obsessive repetitions, and pleasure comes in the form of details, such as in an untitled piece in which a pair of marble eggs hides in a stack of weathered crates.About TownHip-Hop