Kramer’s article, “Founding Cadre,” was an outlier for the period. It wasn’t a convert’s plea, like Gornick’s; or an insider’s dishy dispatch, like Susan Brownmiller’s movement roundup in the Times; or a bitingly confessional essay, like Sally Kempton’s “Cutting Loose,” in Esquire. But it wasn’t dismissive, either, like “The David Susskind Show.” Instead, it was icily observational, documenting the group’s rich, clashing perspectives in granular detail. There were pages of dialogue, as in a play, and long block quotes resembling monologues. The one thing the piece didn’t include was the women’s identities; the magazine concealed them with pseudonyms and radically altered identifying details. Even so, I could sort out who was who: “Hannah” was Shulamith Firestone, midway through writing “The Dialectic of Sex,” and “Barbara” was Anne Koedt, the author of “The Myth of the Vaginal Orgasm”; the others were Celestine Ware (“Margaret”), Martha Gershun (“Beatrice”), Diane Crothers (“Nina”), Minda Bikman (“Eve”), and Ann Snitow (“Jessica”).