The robber, of course, is Davis, who is something of a pacifist prince of thieves. He abhors violence and endeavors to commit his crimes as humanely as possible, keeping the extractions clean by prepping heavily in advance. A tense opening heist sets the tone and establishes Davis’s M.O.: he intercepts a stash of valuable diamonds as they’re being transported from one location to the next, armed with a gun, a disguise, and, crucially, in-depth knowledge of the transporters’ home addresses, family members, and other personal details. Davis himself has no permanent address or family to speak of, and comes across as void of personal information. On a dinner date with a young woman named Maya (Monica Barbaro), he’s magnetically inscrutable; when she asks what he does for a living, he mumbles something about “software development” and moves on. Hemsworth, in a beautifully controlled performance, plays Davis as a charismatic savant—a tad clenched and awkward in his rare social interactions, yet still capable of friendliness, decency, and charm.