Titled “The Wind-Up,” Peck’s ballet takes on the largeness of Beethoven with a modest cast of six, though the six are among the strongest dancers in the company. The musical moment I was waiting for comes during a duet for Mira Nadon and Chun Wai Chan. The duet is nicely enlivened with tension and release; she ricochets within the field of his gentle support. But the extraordinary moment is barely marked.