Ryo Yoshizawa in “Kokuho.”
2026-02-05 275词 简单
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That conceit shines in a first half that is immersive, handsomely staged and buoyed by a beautiful score. But as the film stretches out, it loses some steam and overindulges into soapier territory and tone; one can’t help but wonder at points where exactly it’s trying to go.
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