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‘Sirat’ Review: A Shocker in the Desert

‘Sirat’ 评测:沙漠中的震撼之作

In “Sirat,” the director Oliver Laxe focuses on a group of European ravers and their increasingly reckless decisions, set against the backdrop of the Moroccan Sahara.

In “Sirat,” the director Oliver Laxe focuses on a group of European ravers and their increasingly reckless decisions, set against the backdrop of the Moroccan Sahara.

2026-02-05  1102  晦涩
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These infectious, hypnotic thumps — courtesy the French musician David Letellier — unite the individual ravers, transforming them (and perhaps you) into a synchronized whole. As Luis and Esteban wander through the crowd making inquiries, they seem immune to the music and its effect. They press on, at one point approaching a cluster of men and women. Rough around the edges, these ravers look weathered and wary; one looks like he’s coming down from something. They’re cordial, if noncommittal, and no one says they recognize the woman in the fliers. Soon after, a military convoy rolls up to the rave, and a soldier announces that the country is in a state of emergency. Everyone from the European Union needs to leave.

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