My survey did not make me popular. Some museums responded quickly—too quickly, perhaps, to have checked with their curators. Ten minutes after receiving my inquiry, the press office at the Uffizi Gallery in Florence assured me unequivocally that there was no mold at the Uffizi. The museum declined to connect me with the curatorial team or restoration department. Many institutions—the Louvre, the British Museum, the Musée d’Orsay—didn’t respond to my calls and e-mails at all. I eventually came to suspect the Vatican Museum had blocked my number.