Migliorati kept the painting in the private quarters of his palace or possibly in a public room to be admired by guests. His will requested its installation in a small funerary chapel, but it was placed in the church of San Francesco, known as the Tempio Malatestiano, Leon Battista Alberti’s unfinished reconstruction of Rimini’s Gothic cathedral. In the 18th century the painting was moved to the sacristy, and in the 19th to the town hall. In 1924, it was placed in Rimini’s new art museum. That building was destroyed by bombings during World War II, but fortunately the collection’s most important works, including the Bellini, had been stored elsewhere. In 1990, after almost five decades of shuttling among temporary locations, the painting was finally installed in Rimini’s new Museo della Città, a renovated Jesuit convent.